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1 empirical stability
Математика: эмпирическая устойчивость -
2 empirical stability
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3 stability
1) устойчивость2) стабильность3) стойкость4) равновесное состояние ( системы)•stability in large — мат. устойчивость в большом
stability in small — мат. устойчивость в малом
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4 cross-country empirical analysis
Научный термин: межстрановой эмпирический анализ (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16)Универсальный англо-русский словарь > cross-country empirical analysis
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5 эмпирическая устойчивость
empirical stability мат.Русско-английский научно-технический словарь Масловского > эмпирическая устойчивость
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6 эмпирическая устойчивость
Большой англо-русский и русско-английский словарь > эмпирическая устойчивость
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7 эмпирическая устойчивость
Mathematics: empirical stabilityУниверсальный русско-английский словарь > эмпирическая устойчивость
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8 curve
1) кривая2) изгиб; закругление; кривизна || изгибать(ся); закруглять(ся)4) лекало (чертёжное, швейное)5) ж.-д. кривая (пути)6) дорож. разбивать кривую•to negotiate a curve — вписываться в кривую (пути);to round curves — проходить кривые участки пути;to run through a curve — проходить кривую (пути);curve of (centers of) flotation — катящаяся кривая, кривая центров тяжести площади ватерлинии ( при наклонениях судна)curve of constant slope — линия откосаcurves of form (of hydrostatic properties) — мор. кривые элементов теоретического чертежаcurve of metacenters — мор. кривая метацентров, метацентрическая обёрткаcurve of Persei — кривая Персея, спирическая кривая-
A curve
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Abbot's curve
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aberration curve
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adiabatic curve
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altitude curve
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amplitude-response curve
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analytic curve
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angle-time curve
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anharmonic curve
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anhysteretic magnetization curve
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annealing curve
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antidromic curve
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antipedal curve
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aperture response curve
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apolar curve
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backwater surface curve
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backwater curve
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ballistic curve
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bath-tub curve
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bearing area curve
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bearing stress curve
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bell-shaped curve
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B-H curve
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binaural curve
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biquartic curve
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bitangential curve
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bitangent curve
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boiling curve
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boiling-point curve
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borderline knock curve
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bound curves
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brake performance curve
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broken-back curve
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buoyancy curve
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burning curve
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calibration curve
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caliper curve
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capacity curve
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catenary curve
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characteristic current curve
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characteristic curve
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characteristic time curve
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charging curve
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circular curve
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climb curve
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closed curve
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color response curve
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commutation curve
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compound curve
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compression curve
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condensation curve
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confocal curves
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continuous curve
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contour curve
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contrast response curve
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conveyor curve
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coordinate curve
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correction curve
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cosecant curve
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cosine curve
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cotangent curve
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cross curves of stability
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cubic curve
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cumulative property curves
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current-time curve
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current-voltage curve
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damper curve
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decay curve
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decline curve
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decrement curve
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de-emphasis curve
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deflection curve
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deformation curve
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demagnetization curve
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depletion curve
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derating curve
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dew-point curve
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dextrorse curve
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directing curve
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discharge curve
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discharge frequency curve
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discharge voltage-time curve
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discharging curve
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displacement curve
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distillate yield curve
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distribution curve
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D-log E curve
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dose-survival curve
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drawdown curve
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drooping volt-ampere curve
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dry-bulb temperature curve
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duration curve
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dynamic stability curve
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easement curve
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efficiency curve
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elastic curve
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elevation-area curve
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elution curve
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empirical curve
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end point yield curve
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enthalpy curve
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entropy curve
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envelope curve
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epitrochoidal curve
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equalization curve
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equiprobability curve
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error curve
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exponential curve
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faired curve
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family curve
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fatigue curve
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firing curve
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first-arrival curve
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fitted curve
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flash point yield curve
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flash yield curve
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flat curve
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floodable length curve
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flow curve
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flow-through curve
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frequency curve
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frequency-response curve
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full-load curve
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full-load performance curve
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full-load saturation curve
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funicular curve
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gain curve
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Gaussian curve
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generating curve
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generation curve
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grading curve
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granulometric curve
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gravity mid per cent curve
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growth curve
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guide curve
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H and D curve
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hardening curve
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harmonic curve
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head-flow curve
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heating load curve
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helical curve
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horizontal curve
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Hurter and Driffield curve
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hydrostatic curves
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hysteresis curve
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incremental fuel consumption curve
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induction-permeability curve
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infiltration curve
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integral curve
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interpolation curve
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ionization curve
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irregular curve
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isentropic curve
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isobaric curve
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isobatic curve
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isochronous curve
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isoclinic curve
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isothermal curve
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isotime curve
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isotropic curve
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lag curve
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launching curves
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lead curve
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learning curve
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level curve
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limit curve
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load curve
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load-deflection curve
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load-duration curve
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load-extension curve
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load-opening displacement curve
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load-strain curve
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load-time curve
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logarithmic curve
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luminosity curve
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magnetization curve
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Mayor curve
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mean temperature-time curve
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no-load curve
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normal curve
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normal traveltime curve
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normalized magnetization curve
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O-curve
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overload curve
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parameter curve
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particle-size distribution curve
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part-load curve
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pay load-range curve
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pedal curve
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performance curve
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permeability curve
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plane curve
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polar curve
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potential curve
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power-angle curve
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preemphasis curve
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pressure curve
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pressure drawdown curve
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probability curve
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propeller performance curves
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quadric curve
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quartic curve
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quintic curve
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railroad curve
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railway curve
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rate-of-failure curve
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rating curve
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recession curve
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reciprocity curve
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recovery curve
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rectifiable curve
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refrigerant flow curve
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regression curve
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regulation curve
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remanence curve
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remarkable curve
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resistance curve
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resistance variation curve
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resonance curve
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response curve
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reverse curve
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righting arms curve
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righting arm curve
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righting moment curve
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rising-stage curve
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room temperature curve
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runoff curve
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sag vertical curve
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saturation curve
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secant curve
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self-polar curve
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sensitivity curve
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sensitometric curve
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sextic curve
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sharp curve
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sheer curve
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short radius curve
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short-circuit curve
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simple curve
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sine curve
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sinistrorse curve
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sizing curve
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sliding curve
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slip-current curve
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smooth curve
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space curve
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spectral-distribution curve
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spectral-response curve
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speed performance curve
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speed-load curve
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spiral curve
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spur conveyor curve
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stability curve
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standardization curve
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statical stability curve
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stationary curve
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steam-pressure curve
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steep curve
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step curve
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stratification curve
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stress-strain curve
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stripping curve
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subsequent fracture curve
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superheat curve
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swing curve
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tangent curve
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tangential curve
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temperature curve
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temperature-depth curve
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temperature-viscosity curve
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test curve
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thrust curve
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tide curve
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time-gamma curve
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time-light curve
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time-temperature-transformation curve
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tons per inch curve
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torque curve
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torque-angle curve
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torque-speed curve
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torque-vs-displacement curve
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total heat curve
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track curve
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transfer curve
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transient curve
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transition boiling curve
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transition curve
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translation curve
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transversal curve
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trochoidal curve
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TTT curve
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turnout curve
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universal curve
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vapor-pressure curve
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vapor curve
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vertical curve
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vertical travel-time curve
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viscosity mid per cent curve
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volumetric efficiency curve
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washability curve
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wear-time curve
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wet-bulb temperature curve
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Wohler's curve
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work-hardening curve
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yield curve -
9 межстрановой эмпирический анализ
Science: cross-country empirical analysis (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16)Универсальный русско-английский словарь > межстрановой эмпирический анализ
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10 coefficient
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11 criterion
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12 moment
1) момент, время2) мат. момент•- centroidal moment of inertia - equivalent moment of inertia - moment of a frequency distribution - moment of a support - negative pitching moment -
13 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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14 Islamic banking assets
Банковское дело: исламские банковские активы (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16.)Универсальный англо-русский словарь > Islamic banking assets
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15 Islamic finance
Финансы: исламское финансовое дело (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16) -
16 Islamic finance sector
Общая лексика: ис (в тексте перед термином стоял опред. артикль; англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16.)Универсальный англо-русский словарь > Islamic finance sector
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17 Islamic financial institution
Банковское дело: исламское финансовое учреждение (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16.)Универсальный англо-русский словарь > Islamic financial institution
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18 Islamic financial product
Финансы: исламский финансовый продукт (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16)Универсальный англо-русский словарь > Islamic financial product
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19 Islamic financial services
Банковское дело: исламские финансовые услуги (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16.)Универсальный англо-русский словарь > Islamic financial services
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20 Islamic lender of last resort
Финансы: исламский кредитор последней инстанции (англ. термин взят из: Martin Cihak, Heiko Hesse. Islamic Banks and Financial Stability: An Empirical Analysis // IMF Working Paper. - No. 08/16)Универсальный англо-русский словарь > Islamic lender of last resort
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